Tag Archives: prehistory

Silbury Hill

As your world changed
As strangers came with magic melting rocks
With swords that came from stone
With the bright and shiny
You built your last

Piled sacred river stones
Mounding on midsummers day
Dug deep into hard chalk with antler picks
Growing the mound higher and higher
Hollowing a great winter moat

Mist wreathed Silbury sits tall and green
In winter
White with frost and snow
Reflected in a sacred pool

And Silbury Hill still shocks
Still looms ahead of the unwary traveller
And even those that come to seek it
Are awed by what you did with bone and stone

Copyright © 2017 Kim Whysall-Hammond

Summer Queen

She makes grass into golden wheat
adorned in a stiff gold collarcape
walking, stroking,tending, sleeping with the crop
her brethren and children both
Her folk unforgiving of failure
poor cropping is catastrophe, starvation
Queens become then offerings
death awaits down that path

This summer is cold and wet
Wind flattened swollen heads remain green as harvest nears
she spends chill sodden desperate nights deep
in the fields, pleading the damp away
long days on the high hills
beseeching the sun for warmth to no avail
throat slitting awaits

The crop rustles, a manikin appears, barely wheat-high
Declares that he can help
can transmute wet straw to golden corn
at a price

She offers him her glistening arm-restricting collarcape
and the pleasures of her flesh
but he wants what she is loath to tender
any future child

She is doubly afraid, for herself
and for any child so forfeited
but dread convinces
of seeing her fathers eyes
as she is sacrificed
throat slit, body desecrated

So an agreement is made
and an unknowing village delights in late summer heat
glad harvesters sing of their queen
Autumnal marriage brings further abundance
made manifest in a swelling belly

Come a new spring, early skylarks soar
woodland paths are girded by fragrant blue
blossom bodes new abundance
yet the Queen is strangely reluctant to venture forth
to succour her new tilled fields
to leave her infant boy
with a village to raise him joyfully
this seems curious, inexplicable
yet she walks the encircling ramparts
staring out
waiting

He comes one night to her sleeping place
stares avidly at the child clasped close
she, however, has been considering
pondering the significance
of bargains well made
of names that control and command
of gifts freely given and so power won

What is the child that he so wants him,
what may he become?
What power will this child convey?

And she bargains once more
knowing that faery folk love so to do
and can be held to new deals made
the hobgoblin is silent impassive
until asked his own name
angry and proud he knows she can’t guess it
so the inbuilt weakness takes hold
“Tell me my name and you keep the child”
and he is gone

Long nights does she try
to divine the unknowable
the language of sprites and gods
is the language of the world around
shared with trees and rivers
rustling, thumping, creaking
a nonsense to human ears

Then the King tells her a story
whilst taking leave of his woodlands
his ice bearing hills
he spied on a little man dancing on mosses
singing a song of an ignorant woman
who will lose a child
to Rompanruoja the hobgoblin

So the father saves his son
from an uncanny fostering
for the Summer Queen she laughs
and at their next meeting
tells the old fellow his name
in pique and anger he leaves
not to be seen again

Here our tale ends with customary joy
The destiny of our Queen, her lovely boy
We cannot know
Lost in another story long ago

Copyright © 2021 Kim Whysall-Hammond

This poem was first published by Milk and Cake Press in  the  anthology  ‘Dead of Winter’, February 2021, available here.

Capture

We have captured the stones in their circles
first with maps and sketches
now with our many photographs.
They would otherwise move
dance in moonlight’s shadows,
shuffle away to the devils lair,
creep up on a King or a witch.
 
We have opened the barrow graves to sunlight
pinned them to history with interpretive notices
collected the many bones within.
Lurking on ridges, smothered with grass,
besieged by fields and fences,
children now play in dark chambers
where once ancestors dreamed.
  
Do the stones protest at their confinement?
Do barrow wights still lurk after dark?
Have we chased away the Gods-smith?
Do we care?

Copyright © 2018 Kim Whysall-Hammond

First published at London Grip https://londongrip.co.uk/

Loom Weight

A loom weight lost these many millennia
sits proud on heavy soil
held in my hand, it speaks of loving toil
the spinning of fabric
to clothe a family
and a connection is made
she spoke ancient Greek
a colonist deep in Sicily’s heartland
I stroke the fingerprint left in once moist clay
and say Hello

Copyright © 2017 Kim Whysall-Hammond

For Dverse

This loom weight was fund in Western Sicily, whilst I was working on an archeological survey many many years ago. It came home with me and I still look at her fingerprint and say hello……

Great Orme

On the north Wales shore a fat rock serpent
coils out to sea clasping copper tightly
within as a Dragon clasps gold

Deep in his gut lie human bones
children who delved into the dark
hunting the shine with hard flint

In tunnels too small for adults
troglodyte children crawled and twisted
lived and died alone in darkness

Bats explode from a cave entrance
sprawling tourists like scattered chaff
the dead come for their vengeance
three thousand years they have lain here
the daylight is theirs at last

Copyright © 2021 Kim Whysall-Hammond

Otzi the Iceman

He wore warm boots and cloak
had many tattoos grouped
around wherever his joints hurt
to show where acupuncture should be done
carried a complex firelighting kit
containing many dried plants
with flint and pyrtite to make sparks

Consider his hide quiver of arrows with dogwood shafts
and an antler stub for sharpening arrow points
a rare copper axe with a yew handle
a stone bladed knife
various berries for snacks, and two sorts
of dried mushrooms strung with leather
one of them is antibiotic

When he died he was carrying an
unfinished yew Longbow taller than him
with a bowstring and the tools to complete it

Say Hello to our ancient brother

Copyright © 2021 Kim Whysall-Hammond

Winter Dance

The long dance of winter
starts slow as starlight
children stamping hard cold ground
cracking ice over peat

Slipping through fog’s silence
the women have donned heavy antlers
to creep around the trees
circle the swamp
clasp hands and spin
as the sun spins and turns
so do they

Men spurt from the longhouse
Pelts moist with sweat
Leap and cry out

Songs build to a crescendo again and again
until the true sun reveals herself
and we put out our puny fires
sit
eat
laugh

Copyright © 2019 Kim Whysall-Hammond

 

I haven’t written a poem imagining our pre-historic ancestors for a long while. Others on this blog can be found at:

https://thecheesesellerswife.wordpress.com/2019/01/30/crafty-eyes-see-the-deer-2/

https://thecheesesellerswife.wordpress.com/2019/06/22/the-aurochs-and-the-pink/

https://thecheesesellerswife.wordpress.com/2019/08/07/we-live-on-the-high-ground-2/

 

Neanderthal

Was it the red hair
that so entranced us?
The strong nose
on a strong young man?
Or that capable stocky young woman
who didn’t moan at first frost?
Where did we get our blue eyes from after all?
In the snows of almost perpetual winter
and at the warm shores of the middle sea
we met them, loved them,
raised their children.
And left them behind.

 

Copyright © 2018 Kim Whysall-Hammond

 

First blogged in 2018…..